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Jim French (born July 14, 1932) is an American photographer who under the pseudonym Rip Colt〔Blasius, Mark; Phelan, Shane (1997). ''We are everywhere: a historical sourcebook in gay and lesbian politics.'' Psychology Press, ISBN 978-0-415-90859-7〕 created Colt Studio to publish, what were to become, his iconic homoerotic images in the books, magazines and calendars that presented French's work exclusively and set a new standard for idealized masculinity in photography.〔Falkon, Felix Lance; Waugh, Thomas (2006). ''Gay Art: A Historic Collection'' (reprint of 1972 ed.) Arsenal Pulp Press, ISBN 978-1-55152-205-0〕 French began drawing and photographing male erotica in the 1960s, and his first published book, ''Man'', was in 1972. Other books include ''Another Man'', ''Jim French Men'', ''Quorum'', ''Opus Deorum'', ''Masc.'', ''The Art of Jim French'' and ''The Art of the Male Nude''. ==Luger years== French was formally trained at the Philadelphia Museum School of Art from 1950 to 1954 and went on active duty in the United States Army in 1955, having been in the reserves for two years prior to his enlisting. He was honorably discharged from the service in 1957. French settled in New York and pursued a successful career in fashion illustration. At the suggestion of an Army contact who had seen some of his early, mostly unpublished homoerotic drawings done under the name Arion, he and French formed a partnership to start a mail order company they named "Luger." This brand was chosen because of the strong suggestions of masculinity associated with the German Luger pistol. While the Arion drawings had been rather romantic and glamorized sketches of Fire Island life and similar scenes (certainly hinting at the paintings of two of his favorite artists, George Petty and Alberto Vargas), the drawings he began to produce for "Luger" made a considered transition to decidedly more masculine subjects like bikers, cowboys, wrestlers and other familiar macho figures. When his art was featured on the cover and inside several issues of ''Mars'', sales increased dramatically. Because of legal restraints of the time, the earliest works did not contain frontal nudity but were nonetheless highly erotic and humorously creative in their suggestiveness. He also began offering prints of photographs he had taken as references for his drawings, and these too sold well. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jim French (photographer)」の詳細全文を読む スポンサード リンク
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